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Festival 2022 Betsy Jolas vs Robert Schumann Oui, c'est possible. Deux univers musicaux sur le papier si divergents, et pourtant voilà le defi de cette année. Voila quelques vidéos pour vous faire patienter... à très bientôt. Le Programme

ARTISTS GALLERY THE VOLCAS 2021 EDITION PROGRAM Edition 2021: Welcome

festival de musiques classique et contemporaine. avec la présence durant tout le festival du compositeur invité. création pédagogique avec le conservatoire. ARTISTS Edition 2020 PHILIPPE MANOURY Philippe Manoury began music at the age of nine. Very quickly, he composes as an autodidact. He studied piano with Pierre Sancan, harmony and counterpoint at the Normal School of Music in Paris. At the start of the 1970s, he decided to take up the path of composition on the advice of Gérard Condé, who introduced him to Max Deutsch at the École Normale de Musique in Paris. He then studied composition also with Michel Philippot and Ivo Malec at the National Conservatory of Music and Dance in Paris, where he also followed Claude Ballif's analysis class. In 1975, he began studying computer-aided musical composition with Pierre Barbaud. The works of Karlheinz Stockhausen, Pierre Boulez and Iannis Xenakis form the first references of Philippe Manoury. For him, the act of composition consists in implementing capacities for the transformation of both musical material and perception. Some works can be organized into a vast cycle in which each piece feeds, by metamorphosing it, on the material of the preceding ones, like the confrontation with the computer, the instrument alone at first (Jupiter, Prix de the best musical achievement of SACEM in 1988, Pluton), then the percussion ensemble (Neptune) and finally the soloists and the orchestra (La Partition du ciel et de l'enfer) in the vast cycle "Sonvs ex machina". Present in the main contemporary music festivals and concerts from the age of nineteen, it was with the creation of Cryptophonos, by the pianist Claude Helffer at the Metz Festival in 1974, that he really made himself known to the public. In 1978, he moved to Brazil and gave courses and lectures on contemporary music at various universities there. In 1981, back in France, he was invited to Ircam as a researcher. Since that time, he has continued to participate, as a composer or teacher, in the activities of the Institute. From the research undertaken at this time, will be born Zeitlauf, for mixed choir, instrumental ensemble, synthesizers and magnetic tape created in 1982. In close collaboration with Miller Puckette, he then worked more specifically in the field of instrument-machine interaction, with the main goal of developing systems allowing the simulation and real-time monitoring of instrumental behavior, and therefore the integration of interpretation phenomena into the musical composition itself and into electroacoustics. The cycle of interactive pieces "Sonvs ex machina", for different instruments and electronics, remains as one of the important milestones of this history, just like In echo, for soprano and electronics. From 1983 to 1987, Philippe Manoury was in charge of pedagogy within the Ensemble intercontemporain. He then taught composition and electronic music at the National Conservatory of Music and Dance in Lyon (1987-1997). From 1998 to 2000, he was responsible for the European Music Academy of the Aix-en-Provence festival. He also leads numerous composition seminars in France and abroad. From 1995 to 2001, he was composer in residence at the Orchester de Paris and, from 2001 to 2003, at the Scène Nationale in Orléans. Between 2004 and 2012, he taught composition at the University of California San Diego (UCSD). In 2013, he was appointed professor of composition at the Strasbourg Conservatory and was in residence at the Paris Chamber Orchestra. In 2017, he was a visiting professor at the Annual Chair of Artistic Creation at the Collège de France. His work covers all genres: solo pieces, mixed electronic music (in 2006, On-Iron for choir, video and electronics and Partita I for viola and electronics) chamber music, works for choir and for large orchestra. Among these, we can cite Sound and Fury which was created by Pierre Boulez with the orchestras of Chicago and Cleveland. Philippe Manoury also composed four operas: 60e Parallèle, created in 1998 at the Théâtre du Châtelet, K…, after The Trial of Kafka, premiered in 2001 at the Opéra-Bastille (SACD Grand Prize, Music Critics Prize in 2001 and Pierre I of Monaco Prize in 2002) The border in 2003, as part of his residency at the Scène Nationale in Orléans and Gutenberg's Night created at the Opéra du Rhin in Strasbourg as part of the 2011 Musica Festival. For this last opera, Philippe Manoury was named Composer of the Year at the Victoires de la Musique 2012. Among the last works of Philippe Manoury we can note Terra Ignota for piano and orchestra conducted from the piano (2007), Abgrund for large orchestra (2007), Gesänge-Gedanken, song cycle on texts by Nietzsche for contralto and small ensemble (2009), Plural instants for two instrumental groups (2008), Synapse for violin and orchestra (2010), the two string quartets from 2010, blood pressure with electronics and Stringendo, and Sextet Assumptions created by the Accroche Note ensemble at the 2011 Musica Festival. In June 2012 a concerto for piano, electronics and orchestra, Echo-daimónon, commissioned by the Orchester de Paris, was premiered during the 2012 Ircam ManiFeste and, in July 2012, Partita II for violin and electronics, during the Messiaen Festival in the Pays de la Meije. In 2017 he works so on Kein Licht, a lyrical and theatrical work in collaboration with the director Nicolas Stemann (created at the Rurhtriennale and at the Opéra Comique in 2017). Philippe Manoury currently continuing to compose the Köln Trilogy, the first part of which Ring was premiered by the Gürzenich Orchestra in Cologne in May 2016, as well as the development of L'Échelle, an electronic installation in real time based on the hours, days and months of the year for the Théâtre La Scala in Paris (September 2018). Philippe Manoury was appointed Officier des Arts et des Lettres in 2014 and has been a member of the Berlin Academy of Arts since 2015. © Philippe Stirnweiss MICHAEL SPYRES Tenor Michael Spyres was born in Mansfield, Missouri. In 2009, he made his debut at La Scala where he takes the role of Belfiore in The Trip to Reims by Rossini then New York in the role of Raoul in The Huguenots of Meyerbeer . He therefore established himself as one of the major interpreters of French Grand Opera. The same year, he made his debut in the title role of Candid of Bernstein at the Flanders Opera. He interprets Tybalt in Romeo and Juliet of Gounod to Salzburg Festival , the title role of The Damnation of Faust of Berlioz at the Flanders Opera in 2012, the title role of Tales of Hoffmann of Offenbach for his debut at License and Rodrigo in The Lady of the Lake for his debut at London ROH in 2013, as well as the title role of Benvenuto Cellini of Berlioz at the English National Opera in 2014. That year, he also made his debut as Alfred in The bat of John Strauss at Chicago. In 2015, he went to the Royal Festival Hall in London in Alim in The King of Lahore of Massenet. In 2016, he sang the title role of Mitridate to Champs-Élysées Theater Dijon and to The Mint and that of Time in The Triumph of Time and Disillusion at Aix en Provence. He returned to the TCE in 2017 for his first Don José in Carmen of Bizet in concert version, while he started at Munich in The Tales of Hoffmann, at the Paris Opera in The Mercy of Titus and at Zürich with the title role of Orlando Paladino. In 2018, he played Vasco de Gama in The African of Meyerbeer for his debut at Frankfurt, participates in the acclaimed rediscovery of The Bloody Nun by Gounod at the Opéra Comique, takes the role of Fernand in The Favorite at the Liceu and that of Florestan in Fidelio at TCE. Then, in 2019, He started at Vienna Theater in Lucinius in The Vestal Virgin of Spontini and at the Vienna Opera thanks to La Cenerentola. In 2020/2021, Michael Spyres will sing Arnold in William Tell in September in Dresden, where he will return in March as Duke of Mantua in Rigoletto. He will sing the title role of La Damnation de Faust in Florence in January, just before taking on the role of Ferrando in Cosi fan tutte in concert at the TCE. © Marco Borrelli / OnP JEAN-FRANCOIS HEISSER Chamber musician, Jean-François Heisser has obviously covered the entire repertoire with partners such as the Ysaye, Lindsay and Pražák Quartets. If his recording of Bartok's sonatas with Peter Csaba (Praga) remains essential today, he also strongly defended the repertoire for 4 hands and 2 pianos. He remains one of the most requested partners both by established artists and by the younger generation. Musical director, he has been developing since 2001 the project of the New Aquitaine Chamber Orchestra which he raised to the highest level of French chamber formations, as evidenced by the recordings made for the label Mirara : the primitive version of Sorcerer's Love de Falla and the Kammerkonzerte of Berg, unanimously hailed by the press, are now references. At the end of 2017, the complete Piano Concertos by Beethoven (Jean-François Heisser piano and direction) were published, the fruit of a long work and a long maturation with the musicians of the orchestra. Artistic director, his complicity with Editions Actes-Sud led him to ensure the programming of Arles Musical Evenings. From 2015, he is artistic advisor to the Orangery Festival of Sceaux. Finally, to perpetuate the work and the memory of his master Vlado Perlemuter, "historical" interpreter of the great French composers, Jean-Francois Heisser is President of the Maurice Ravel International Academy, a top training ground for young talent. He is also the artistic director of the Ravel Festival in New Aquitaine since August 2017. © Thomas Chapuzot DIOTIMA QUARTET The Diotima Quartet, which is today one of the most sought after throughout the world, was born in 1996 under the impetus of laureates of the National Conservatory of Music in Paris. His name illustrates a double musical identity: Diotima is both an allegory of German romanticism – Friederich Hölderlin thus names the love of his life in his novel Hyperion- and a standard of the music of our time, held up by Luigi Nono in Fragmente-Stille, an Diotima. The Diotima Quartet has worked closely with some of the greatest masters of the second half of the twentieth century, foremost among them Pierre Boulez (who revised for him the Book for Quartet) and Helmut Lachenmann. He commissioned or encouraged the creations of the most brilliant composers of our time, such as Toshio Hosokawa, Miroslav Srnka, Alberto Posadas, Mauro Lanza, Gérard Pesson, Rebecca Saunders or even Tristan Murail. Mirroring today's music, the Diotima Quartet sheds new light on the great romantic and modern works, in particular Beethoven, Schubert, the Viennese triad with Schoenberg, Berg and Webern, or even Janáček, Debussy, Ravel and Bartók. His rich discography, in which stand out his interpretations of Bartok's quartets as well as those of the Vienna School and the definitive version of the Book for Quartet by Pierre Boulez (at Megadisc) is regularly hailed by the most prestigious awards from the international press : Diapason d'Or (five times, including two Diapason d'Or of the year), Choc de l'année Classica, ffff Télérama, Editor Choice de Grammophone, Séléction de Strad, etc. © Francois Rousseau DIABELLI QUARTET At the origin of the Diabelli Quartet is a requirement for authenticity combined with a desire to broaden the concept of the concert. The four concert performers who recently founded it come from a wide variety of experiences and backgrounds – both in terms of their professional career (studies and artistic lives in Vienna, Utrecht, Krakow, New York, Sidney, etc.) and their choices. (Baroque Orchestra of the European Community, Ensemble Intercontemporain, Les Siècles, Vienna Chamber Orchestra, LSO, Le Concert d'Astrée, Paris Opera, Montpellier, etc.) – and share the same impetus for creation and performance of risk. After a debut at the Comédie de Montpellier, the Quatuor Diabelli is scheduled for the first edition of the Festival des Volques, at the Musée de la Romanité and at the Hôtel de Bernis in Nîmes. Thanks to the Montpellier CRR and the Théâtre de Nîmes, the Diabellis are already known in the region for their cultural activities (Ehpad, Maison de l'Abbé Pierre, etc.). They play on period instruments. MATHIEU PORDOY Matthew Pordoy is a French pianist and vocal coach. In demand internationally, he has been invited to the greatest theatres, notably the Wiener Staatsoper (for the complete version of Don Carlos), the Opéra National de Paris (for the Huguenots and the child and the Sortilèges) and the Zurich Opera (for The Tales of Hoffmann). Very interested in teaching, he was invited to mentor young singers by Joan Dornemann at the International Vocal Art Institute Tel-Aviv and Montreal, as well as at the academies of the Mariinsky Theater in Saint Petersburg, the Opera of Paris, and the Festival d'Aix. Last season, Mathieu made his double debut at Carnegie Hall in New York in Berlioz's Lélio under the direction of Sir John Eliot Gardiner, and in recital with Sabine Devieilhe, then noticed by the New York Times as "a superb partner, whose artistic talent has contributed to making this recital a privileged moment of chamber music”. He also gave a series of recitals with his accomplice the tenor Michael Spyres at the Operas of Bordeaux and Frankfurt, as well as at the Festival de Lanaudière in Quebec, and at La Coruña in Spain. Specialist of the French repertoire, the Opéra Comique, La Monnaie de Bruxelles, the Opéra de Monte-Carlo, the Théâtre des Champs-Elysées, the Chorégies d'Orange, the London Symphony Orchestra, the Opéra de Cologne, regularly seek him out. to take part in their productions. Mathieu Pordoy has worked under the direction of conductors such as: Sir John Eliot Gardiner, Daniele Gatti, François-Xavier Roth, Alain Altinoglu, Fabio Luisi, Evelino Pido, Gianandrea Noseda, Mikko Franck… LAËTITIA RINGEVAL Laetitia began the violin at the age of 5 at the CNR in Douai. It was with Maurice Moulin that she followed her course in Paris before joining the class of Gérard Jarry in 2000, then Ami Flammer and Frédéric Laroque. at the National Conservatory of Music in Paris. Meetings with renowned conductors such as MWChung, EPSalonen, G.Dudamel, E.Krivine or even P.Boulez confirmed his love for orchestral music. It is with the ensemble Les Pléiades that she brings together these musical loves. Coming from the Les Siècles orchestra (direction FX Roth) of which it has been a member since its creation, Les Pléiades is a sextet playing on historical instruments. Laetitia loves researching the colors of the past as much as transmitting and sharing with young people for the music of tomorrow; She is particularly active with the younger generations, working in particular with the Philharmonie de Paris on numerous educational projects. Very committed to the discovery and practice of music by as many people as possible and like Les Siècles, a citizen orchestra, it regularly intervenes in schools, hospitals, associations and other communities around fun and participatory educational programs. . She is also invited by many French orchestras as a soloist and co-soloist (Orchestre Philharmonique de Radio France, Orchester National d'Ile de France, Orchester Victor Hugo Franche Comté, Orchester de chambre Nouvelle Aquitaine). © Julien Durancer LEA HENNINO Recognized as one of the most promising violists of her generation, Léa is a partner of sought-after chamber music. She collaborates with artists such as Quatuor Modigliani, Eric Le Sage, Emmanuel Pahud, Paul Meyer, Nicolas Dautricourt, Adam Laloum, Francois Salque, David Kadoush, Edgar Moreau, Alina Pogotskina, Alena Baeva, Nicholas Angelich, Gauthier Capuçon, Yan Levionnois, Nelson Goerner, Marc Coppey, Anne Queffelec, Itamar Golan, Denis Pascal...on major international stages and festivals. In 2014, she notably took part in a European tour of the complete quintets of Mozart alongside Gérard Caussé, Clemens Hagen, Alina Ibragimova and Renaud Capuçon, who regularly invites him to the Easter Festival in Aix en Provence. In 2016, she made her debut with the Philharmonic Orchestra of Hradec Kralové in the Republic Czech in Martinü's Concerto Rhapsody and plays Mozart's Symphony Concertante with the violinist Gilles Colliard and the Toulouse Chamber Orchestra in 2018. In 2019, the Orchester de Picardie invites him to take the solo alto part of the symphonic poem of Don Quixote by Strauss, at the alongside cellist Sébastien Hurtaud and conducted by Arie Van Beck. This season, she is invited to play Wranitzky's double concerto with violist Jonathan Nazet of the Opéra National de Paris, the Senza Sordini orchestra and conductor Alain Gourdeau. Since 2016, Léa has also been an associate artist of i gardini, a collective of committed artists, brought together by the pianist David Violi and cellist Pauline Buet around a common sensibility. Space of freedom and exploration, i giardini is inspired by the variety of sounds and personalities of the ensemble to reveal a unique romantic universe combining musical rigor and openness to all forms of expression. Their latest recording Nuits in collaboration with singer Véronique Gens published in the spring of 2020. She is also a regular guest at the Paris Chamber Music Center, Salle Cortot. The troupe reinvents the concert in the form of a show where the musicians play from memory and enhance the repertoire with a staging directed by cellist Jérome Pernoo. Léa is a popular musician with the ensemble Les Dissonances, created by violinist David Grimal and pursuing a cycle of artistic research devoted to the great chamber repertoire and symphonic, freeing itself from the direction of a conductor. The musicians are driven by the common desire for a collegial collaboration based on listening and sharing. © Isivierti Photography CHRISTIAN LABORIE Christian Laborie began his musical studies in Le Havre, his hometown, and the continues at the CNSMD of Lyon in the class of Jacques Di Donato. Since 1997 he divides his time between the practice of improvised music and music music to which he devotes a particular affection, as well as to the music of chamber and orchestra. These multiple experiences and the curiosity that animates him then led him to approach the interpretation of the great symphonic repertoire on historical instruments, within in particular of the orchestra Les Siècles of which he is the solo clarinettist. Attentive to amateur practices and fervent support since the childhood of orchestras of harmony from which he comes, he teaches at the conservatory of Rive de Gier (Loire) since 2003. ARIANE LALLEMAND Saluted through the New york Times like "a superb artist", nominated to grammys Awards and winner from Price Chamber America with the Contrasts Quartet, Ariadne Lallemand is a cellist to multiple facets. In fifteen year past to United States, she its produced in so much than soloist and chamber musician at Carnegie Weill Lobby, Alice tully Lobby, Avery Fisher Lobby, so than in of numerous festivals of music contemporary and baroque internationally. Winner of the stock Exchange Lavoisier and from competition of cologne, Barcelona, Mendelssohn, Five towns, Mannes College and Epernay, Ariadne Lallemand at order, created and checked in many works contemporary, its produced abundantly with the choreographers mark Morris, Benjamin Millipede, etc. In France, she play to breast talents Lyric, from Concert of Astree, at the Opera of Paris, the Orchestra of Paris, all Intercontemporary, ECYO and the Centuries. At breast of the agency Quarter, she is in duo with the harpsichordist violaine naughty on cello baroque. Ariadne play regularly in duo with the pianist Alan Kenneth and the harpsichordist yvon Spotting.She is member founder from Quartet Diabelli since 2019, on period instruments. Graduated from CNSM of Paris, Mannes and Freiburg, she at studied with Timothy Eddie, Christopher Henkel, xavier breadwinner, Philip Muller and followed from Master classes with Natalia Gutman, Anner Bylsma, Paul Tortelier and Janos Starker. Professor of cello to CRR of mount pellier since 2015, and at summer in residence in of many universities Americans. © Karine Peron CAROLE ROTH DAUPHIN Holder of a doctorate in viola from the CNSM de Lyon and a teaching aptitude certificate in 1996, her life as a performer led her to play with the Paris Opera, the Orchester de Paris, the Philharmonic Orchestra, the Opera de Lyon and the Ensemble Intercontemporain. Very involved in the most diverse educational actions, she is currently national educational coordinator of the Demos project for the Philharmonie de Paris and professor of viola and collective practices at the CRR of Paris since 1996. A member of the Les Siècles orchestra conducted by FX Roth since 2004, she leads a career as an orchestral musician and chamber musician throughout the world. Within this orchestra, she founded with her colleagues the String sextet Les Pléiades, as well as the trio with narrator Journal Romantique, with which she regularly performs in festivals such as Berlioz Festival, Musicales de Normandie, Amuz d'Anvers, Musica Nigella, Aldeburgh in Great Britain, as well as on the national stages: Grand Théâtre de Nîmes, National Theater of Sénart, City of Music of Soissons, theater of Versailles, Lorient, Auditorium of the Musée d'Orsay, etc... With Les Pléiades, Carole Dauphin likes to develop educational programs for schools, hospitals and prisons in order to bring music to life for all audiences. Since 2019, she has been working in musical creation workshops at the Abbé Pierre family pension in Nîmes, in partnership with the Bernadette Lafont theater. She is a member of the Diabelli quartet on period instruments. In 2020, she founded with her husband François-Xavier Roth and the pianist Pascale Berthelot the Festival de Musique(s) Les Volques in Nimes. © Jean Radel PASCAL BERTHELOT Pascale Berthelot develops her piano and sound research based on her interpretation of major works of classical and contemporary music, her encounters with numerous composers, artists of different disciplines and his recording experience. His very open and adventurous repertoire draws over the years a sensibility tinged with baroque eclecticism. Graduated from the Conservatoire National Supérieur de Musique et de Danse de Lyon in piano classes, interpretation and analysis of the 20th-21st century repertoire and pedagogy as well as from the institute of training and research in art therapy Profac, Pascale Berthelot is a concert pianist, improviser, professor of artistic education and certified art therapist, member of the French Society of Psychopathology of Expression and Art Therapy (SFPEAT). She mainly studied music with Bernard Flavigny (disciple of Alfred Cortot and Serge Koussevitzky), Eric Heidsieck and Claude Helffer. With a grant from the Acanthes center and laureate of the Venice Cini Foundation – Archivio Luigi Nono, she has also benefited from the valuable advice of renowned musicians and teachers such as Dominique Merlet, Yvonne Loriod, Roger Muraro, Pierre-Laurent Aymard and composers such as Brian Ferneyhough, Toshio Hosokawa, Tristan Murail, Ivan Fedele, Klaus Huber, Philippe Manoury, Marco Stroppa, MA Dalbavie, Gilbert Amy, Betsy Jolas, Peter Ablinger, Gérard Pesson and Alvin Lucier. Invited to perform as a soloist or in chamber ensembles, she has, among other things, created works for solo piano or piano and ensemble by Ivan Fedele, Roger Reynolds, Tim Hodgkinson, Daniel D'Adamo, Chris Newmann, Michael Pinter, Klaus Huber, Jennifer Walshe, Michaël Maierhoff, Hauke Harder, Daniele Venturi, Loïc Guénin, Gérard Pesson. She has collaborated with the dance company of Benjamin Millepieds LA Dance project and Laurent Pichaud (X-Sud), with visual artists Marie Denis, Jean-luc Moulène, Isa Melsheimer and has performed in hybrid installations by the Berlin collective LOSE COMBO, mixing performance, concert, sound, light and video in singularly delimited time spaces. She has recorded for Sony, Mode Records and has been collaborating since 2008 with Gérard de Haro's La Buissonne label published in France and internationally by ECM, as a musician and artistic director of the Cuicatl collection dedicated to contemporary music, awarded by the Charles Cros Academy and hailed internationally by critics. ERIKO MINAMI Eriko Minami studied piano with Keiko Matsubara and Yukari Nabata at the Lycée Musical de Yuhigaoka. It was after graduating that she decided to complete her training in France. She studied with Germaine Devèze and joined the CRRs of Versailles (with Edda Erlendsdottir and Jean-François Gonzales) and Paris (with Brigitte Bouthinon-Dumas). At 22, she chose to give a new direction to her career by opting for percussion. She works percussion with Alain Bouchaux then Frédéric Macarez and Éric Sammut for the marimba at the CNR in Paris. Currently, she is a member of the orchestra Les Siècles and Ensemble Musica Nigella as that percussionist and pianist. She collaborates regularly with other formations such as the Orchestra of the Opéra National de Lyon, Les Musiciens du Louvre, Opéra de Rouen. She has also been a speaker at La Philharmonie de Paris since 2015 and a Demos project since 2018. She has been a pianist with the Trio Journal Romantique since 2016 and a guest at the Berlioz festival, Les Musicales of Normandy and The Festival Musica Nigella. CAROLINE FLORENVILLE Divided for a long time between her love for dance and that for the violin, it is in 1991 Caroline decides to devote herself entirely to music. She joined the Paris Conservatory in 1996 in the class of Suzanne Guessner where she obtains a gold medal for violin, as well as his state diploma as a teacher. That same year she decided to leave Paris to enrich her musical knowledge and went to the Guildhall School Of Music And Drama in London where she joined the class of Professor Yfrah Neaman in the cycle of improvement. Falling in love with this city and its cultural ferment, she finally stays three years during which she teaches chamber music at the Junior School of the Guildhall, performs in sonata and as a soloist before returning to France, in Paris at the end of 2002. She is today co-director of the Orchestra Centuries directed by François Xavier Roth, co-soloist of the Compagnie lyrique Exploded Opera and second violin of the ensemble The Pleiades. MARION RALINCOURT Marion Ralincourt is a versatile and curious flautist: eager for encounters and strong projects, her musical life is divided between her activities as an orchestral musician, chamber musician and soloist, with an equal appetite for all repertoires. A passionate orchestral musician, she is principal flute of the essential Les Siècles orchestra (dir. François-Xavier Roth), a unique formation in the world bringing together musicians capable of using the instruments specific to each era, thus putting several centuries into perspective. of musical creation. Within the Centuries, Marion participated in many recordings, including, recently, Daphnis and Chloé (Ravel) and the Prelude to the Afternoon of a Faun (Debussy), both critically acclaimed. Passionate about chamber music, in 2005 she created the Duo Harpéole with harpist Lucie Garnier (solo harp of the ONBA). In 2011, she joined the prestigious Aquilon Wind Quintet (1st prize ARD Munich 2006) in which she recorded several albums, including the last "Saisons": CD designed in the most ecological way possible which militates for a greener world and encourages in a playful way the listeners to take care of the bees. Within the orchestra Les Siècles, Marion initiated the Quintette à vent des Siècles, one of the few wind quintets to perform on period instruments. Marion has appeared as a soloist with the Berliner Philharmoniker (...Explosante fixe...dir. Pierre Boulez), Les Siècles, the Ensemble Intercontemporain, the Gulbenkian Foundation Orchestra, the Navarra Symphony Orchestra, the Orchester Lyric Avignon Provence and the symphony orchestras of Timisoara and Krakow. Marion has won numerous international competitions: 1st prize at the Krakow International Competition and special prize for the best interpretation of the Penderecki Concerto (2005), 3rd prize at the Carl Nielsen International Competition (2006), special mention at the Jean-Pierre Rampal Competition, winner of the Autumn Musical Festival of Young Interpreters. Alain Duault devoted his television program "All the music they love" to him on France3. She graduated from the CNSM in Paris in 2004 (First Prize unanimously first nominated), and then completed two Advanced Cycles (Soloist and Chamber Music) in the classes of Sophie Cherrier and David Walter. In his future projects is the release of a solo album around the works of JS Bach and S. Reich interpreted on double instrumentarium (modern and baroque). © Michel Nguyen AUDE PERIN-DUREAU Principal violin of the Orchester National de Montpellier since 2002, Aude Périn- Dureau has since performed as Konzertmeister with orchestras such as the Chamber Orchestra of Auvergne, the Opera of Rouen, the Royal Liverpool Philharmonic Orchestra, Western Australia Symphony Orchestra, the Adelaide Symphony Orchestra, the Malaysian Philharmonic Orchestra, the Hong Kong Philharmonic Orchestra, the Royal Scottish Symphony Orchestra and the BBC Ulster Symphony Orchestra, under conductors such as Emmanuel Krivine, Mickael Schonwandt and Lawrence Foster. In 1992, she obtained a First Prize in violin and chamber music at the National Superior Conservatory of Music in Paris, then in 1996 a postgraduate degree from the University of Utrecht, the Netherlands. She then studied at the Hochschule in Vienna until 2002. Aude Périn-Dureau is laureate of the International Music Competition of Chambre d'Illzach, the Musical Patronage of Société Générale, as well as the T. Wronsky International Competition in Warsaw. In 2004 she founded the George Sand String Quartet and performed in Chamber Music with musicians such as Auréle Nicolet, Tabor Takacs, Colin Carr. She was the guest of many festivals, Budapest, Portogruaro, Pressia Cove, Schleswig-Holstein Musik Festival, and gave numerous concerts, recitals or chamber music concerts in Europe, Australia, Kuwait, Russia, Israel and the United States. Since 2004 she teaches violin at the Conservatoire à Rayonnement Régional from Montpelier. As part of the Orchester National de Montpellier, she performs regularly as a chamber musician and soloist, in repertoires ranging from Bach to Mendelssohn, Berio, Dusapin and Segerstam. Since 2020 she founded the Diabelli string quartet on instruments of time. AMARYLLIS JARCZYK Amaryllis Jarczyk was born into a family of musicians and lives music above all as a moment of exchange and creator of links. It is in this spirit that she now plays the cello in several chamber music ensembles, including the Hexaméron Ensemble, with which she performs the repertoire of 19th century salon music. Since 2016, she is also part of the string sextet Les Pléiades which is particularly involved in numerous cultural activities with young people and recently recorded a CD for Nomad Music/Les Siècles. Finally, in 2017 she created the Trio Jarczyk-Orenstein which performed at the Festival de Saintes. In addition, Amaryllis is regularly invited to the orchestra Les Siècles, La Grande Écurie and the Chambre du Roy, and the Orchester des Champs-Élysées. She participates with them in many tours in Europe, Asia and North America. Originally from Montreal, she first trained at McGill University with Matt Haimovitz, then at the Conservatoire National Supérieur de Lyon with Yvan Chiffoleau. She then specialized in interpretation on period instruments at the Schola Cantorum in Basel with Christophe Coin and at the Abbaye aux Dames de Saintes with Hilary Metzger. Amaryllis was nominated for a Grammy Award in 2011 with the Uccello ensemble and her teacher and colleague Matt Haimovitz, and has since recorded numerous records with Les Siècles and several other French ensembles and orchestras. © Elam Rotem GILBERT NOUNO Composer, sound artist, performer and researcher at IRCAM. Gilbert Nouno lives and works in Paris. In 2011 he was awarded the Villa Médicis, Académie de France in Rome and the Villa Kujoyama in Kyoto in 2007. His music, linked to the visual arts and digital technologies, constantly crosses the borders of writing and improvisation. . As a visual artist under the name Til Berg, he combines the synesthesia of sound art and other media. From music and sounds he generates abstract and minimalist visuals with traditional and digital mediums such as lithography and video. His work has been shown in Paris at the Ircam creative institute, in Rome and in Florence at the Fabbrica Europa 2012 foundation for contemporary arts. Gilbert Nouno is professor of composition in London at the Royal College of Music, and guest professor by the DAAD in Detmold (Germany). He teaches digital sound arts at Goldsmiths University in London where he is also a visiting researcher, the live electronics & computer music design at Ircam and electronic composition at the international summer courses in Darmstadt in 2014. Gilbert Nouno has collaborated with many artists of various styles and backgrounds such as Pierre Boulez and the Berlin Philharmonic Orchestra, Michael Barenboim at the BBC Proms/Royal Albert Hall in London, George Benjamin and the London Sinfonietta, Jonathan Harvey and the Quatuor Arditti, jazz saxophonist Steve Coleman, flutist Malik Mezzadri and choreographer Susan Buirge GREGOIRE PONT Grégoire Pont is an illustrator / animator passionate about classical music, especially from the 20th century such as Debussy, Ravel and Stravinsky. He is committed to making their music accessible to children through animated illustration. He has thus created a new show concept called Cinesthetique where he draws and animates live images on stage, an exceptional experience where music and video interact measure close. Sold-out concerts around the world. Ma mère l'oye (Ravel) at the Royal Festival Hall in London and at the Philharmonie de Paris, Gurrelieder (Schönberg) in Göteborg, La Mer (Debussy) at Suntory Hall in Tokyo, Concerto for orchestra (Bartók) with the SWR Symphony Orchestra, La Pastorale de Beethoven à Fayetteville aux United States, the toy box at the Rouen Opera and the Philharmonie de Paris with André Manukian... He has worked with world-renowned chefs such as François-Xavier Roth, Kent Nagano, Kazushi Ono, Marko Letonja... The Louisiana Museum of Modern Art (Denmark) commissioned four short films from him animation on contemporary music such as Disco Toccata and Petit Carnivore by Guillaume Connesson, the flute concerto by Marc-André Dalbavie. In 2016, he made his first foray into the field of opera with a staging with magic projections of L'Enfant et les sortilèges (Ravel) at the Opéra de Lyon resumed in 2019 in San Francisco, Limoges, Cincinatti, Muscat, Lyon... He created L'heure anglaise in 2018 with the same technique and the same success, Carmen with the Lille orchestra, conducted by Alexandre Bloch and "La moon" from the Brothers Grimm music by Carl Orff in March 2020. Next projects: Enigma variations in Hong-Kong, A Midsummer Night's Dream at the Rouen, Hansel and Gretel at the Cologne Opera and Abrahamsen's The Snow Queen at the Opéra du Rhine. © Jerome Tripier Mondancin ANNE-MARIE REGNAULT Anne-Marie Regnault graduated from the National Conservatory of Music in Lyon in the class of Pavel Vernikov. She also studied with Jean-Walter Audoli, Jacques Ghestem and Hortense Cartier-Bresson, and followed the teaching of Maya Glezarova during numerous masterclasses in France and Italy. At the same time, she followed university studies until she obtained a master's degree in philosophy. She has been a violin teacher at the regional conservatory of Montpellier since 2003. Passionate about chamber music, she plays regularly in various formations, and in particular the George Sand quartet, with Aude Périn-Dureau, Aurélie Souvignet and Yves Potrel since 2004. In 2018 she founded with Aude Périn-Dureau, Carole Dauphin and Ariane Lallemand the Diabelli quartet on period instruments THE PLEIADES Les Pléiades, an ensemble founded in 2011 by six musicians from the Les Siècles orchestra, offer a journey through the repertoire of the string sextet, through the ages on historical instruments. Committed to projects as varied as their theaters of performances, creator of new concert concepts with artists such as François Dumont, Isabelle Druet, Sandrine Piau, Les Cris de Paris, Dominique Brun's dance company 48, digital illustrator Grégoire Pont, musician-actor Emmanuel Bénèche , director Benjamin Lazar. The ensemble is invited to perform at the Théâtre de Nimes, Scène Nationale de Beauvais, at the Sénart theatre, City of Music in Soissons, at the Musée d'Orsay, festival of Méjan in Arles, as well as abroad (Shanghai, Guanajuato, Antwerp). Les Pléiades have also developed an activity emblematic of the spirit that drives them by offering various educational programs in schools and various social centres. This educational activity is their image: a moment of intensity and exchange with the public. The proposed workshop is a pool of gestures related to the body which, with the help of an active and playful presentation, brings the public into the sound universe with no other tool than the senses. Artistes: Prestations

Cinéma Le Sémaphore 25 rue Porte de France . Nîmes Présentation musicale avec les élèves et professeurs du Conservatoire de Nîmes avant la projection. Dimanche 30 Décembre 18h00 Ravel en mille éclats Avec l’aide des meilleurs musiciens de notre temps, François-René Martin et Gordon imaginent une évocation purement musicale de Maurice Ravel. Protagonistes sans paroles, l’Orchestre de Paris et Klaus Mäkelä, le pianiste Bertrand Chamayou, la soprano Sabine Devieilhe, le Quatuor Modigliani, le chœur Accentus et sa cheffe Laurence Equilbey, la soprano Marie-Laure Garnier, la violoniste Raphaëlle Moreau et la pianiste Célia Oneto Bensaid s’emparent de ses chefs-d’œuvre mais aussi de pièces moins connues. À chacun des chapitres du film, une partition jouée témoigne d’un aspect particulier de sa vie et de sa personnalité. Tourné dans la maison-musée de Montfort-l’Amaury (où Ravel vécut jusqu’à sa mort), à l’église de Ciboure (où il fut baptisé), au couvent Sainte-Marie de la Tourette, construit par Le Corbusier à Évreux, et à la Philharmonie de Paris, ce film ancre chaque œuvre dans un univers esthétique riche en jeux de lumières et de couleurs, singulier palimpseste où se superposent des images du passé et du présent. reservations Acts of Love – Love, Mute, Loss Opéra en trois actes de Rebecca Saunders Livret d'Ed Atkins et Rebecca Saunders, d'après un texte original d'Ed Atkins / Première mondiale au Deutsche Oper Berlin le 20 juin 2025 Lundi 1er Décembre 14h00 Lash Projection de l’opéra de Rebecca Saunders « Lash » ou « Myriad II ou III » et rencontre avec la compositrice

PEDAGOGY Supported by the Department of Gard and the Drac Occitanie, and the City of Nimes, the Volques offer various actions in the districts of the city. Gambetta Richelieu Mas de Mingue Lower Way of Avignon The workshops offer the discovery of classical music of yesterday and today through a one-hour concert during which the public is asked to learn body percussion, dances, songs or even instrumental percussion. During the show, the artists address the public, arouse the curiosity of the listener through question and answer games, and above all, unfold a story. This active listening of the listeners is a strong way of experiencing the music through one's body. These workshops are offered in connection with the festival program. Initiated in 2020 at the Pont de Justice school and at the " boarding house” of Abbé Pierre, thanks to the Théâtre de Nimes, these educational activities are perpetuated to offer the basics of musical practice and make children and families want to go to concerts and practice music. body percussion listening games O Passo Method Singing and speech development Use of small percussion Work and reflection on the creative process. Music is not only a means of expression taking place in the present moment, and an art accessible from an early age. Recent neurological studies now demonstrate very clearly the impact of learning music on cognitive acquisitions in general, the capacity for empathy, affective and nervous development, and this from the life of the fetus. Pédagogie: Bienvenue

Page « À propos ». Utilisez cet espace pour décrire qui vous êtes, ce que vous faites et ce que vous proposez sur votre site. Double-cliquez sur la zone de texte pour modifier votre contenu et assurez-vous d'ajouter les détails pertinents que vous souhaitez partager avec les visiteurs du site. PROGRAMME 2025 FESTIVAL LES VOLQUES les concerts de notre 6ème édition BILLETTERIE reserver sur Helloasso Les concerts Mardi 2 Décembre Elodie Soulard, accordeon Jeudi 4 Décembre Quatuor Diotima Samedi 6 Décembre Renaud Capuçon, violon Tous les programmes Renaud Capuçon, Quatuor Diotima Jean-François Heisser Mercredi 3 Décembre Jean-Fréderic Neuburger, piano Vendredi 5 Décembre Michael Baremboïm, violon Dimanche 7 Décembre Isabelle Druet, soprano Tout le programme Ravel en mille éclats, Lash Conférences, Master Classes et Exposition Cinéma le Sémaphore Nos partenaires

Samedi 9 Décembre Conservatoire de Nîmes 10h00 Théâtre Christian Liger 16h00 Cathédrale de Nîmes 20h00 Billetterie Les Volques Samedi 9 décembre 10h00 - 13h00 Répétition publique de Isabelle Faust et George Benjamin au Conservatoire de Nîmes, salle Marguerite Long ( Site de l'Evêché ) rue Mathieu Lacroix. ........................................................................................ Théâtre Christian Liger 16h0 0 « Jean-François Heisser et ses amis » Wolfgang Amadeus Mozart: Rondo no 3 KV 511 en la m 10’ Jean-François Heisser, piano George Benjamin: Sonate pour violon et piano 22’ Aude Périn-Dureau, violon, Jean-François Heisser, piano Wolfgang Amadeus Mozart: Sonate pour piano seul KV 332 17’ Jean-François Heisser, piano Entracte Wolfgang Amadeus Mozart: Quintette avec clarinette K 581 en la M 30’ Aude Périn-Dureau,violon, Perceval Gilles, violon, Laurent Camatte, alto, Amaryllis Jarczyk, violoncelle, François Miquel , clarinette Sur instruments d’époque ................................................................................. Cathédrale de Nîmes 20h00 En collaboration avec l’association des Amis de l’orgue de la cathédrale « Fantaisies » Wolfgang Amadeus Mozart: Fantaisie no 2 en fa mineur K608 pour orgue à 4 mains 11’ Thomas Lacôte, Adam Bernadac, orgue Wolfgang Amadeus Mozart: Quatuor avec flûte K 285 en la M 15’ Gionata Sgambaro, flûte, Perceval Gilles, violon, Carole Roth, alto, Ariane Lallemand, violoncelle George Benjamin: Upon Silence pour mezzo- soprano et 7 instrumentistes 9’ Sharon Carty, mezzo, Carole Roth, Laurent Camatte, altos, Amaryllis Jarczyk, Ariane Lallemand, Nadine Pierre, violoncelles, Chloé Paté, Nathanael Korinman, contrebasses Direction: Alphonse Cemin Wolfgang Amadeus Mozart: Quatuor avec flûte K285 el sol M 10’ Gionata Sgambaro, flûte, Perceval Gilles, violon, Carole Roth, alto, Ariane Lallemand, violoncelle Entracte George Benjamin : Miniatures pour violon seul 10’ Isabelle Faust, violon Wolfgang Amadeus Mozart: Quatuor avec flûte K285 en do M 14’ Gionata Sgambaro, flûte, Perceval Gilles, violon, Carole Roth, alto, Ariane Lallemand, violoncelle Wolfgang Amadeus Mozart: Adagio et fugue K 546 en do M 10’ Thomas Lacôte, Adam Bernadac, orgue à 4 mains

VOLQUES GENERATION Support for young artists of the new generation For its second edition, the chamber music festival Les Volques organizes: “Volques Generations” Support for young artists of the new generation. The Volques offer young people entering a professional course, the opportunity to participate in a concert of the Volques alongside renowned artists. Recruitment on video in CNSM or European Grandes Ecoles, Pro-Quartet, etc. Les Volques select three or four students for a concert. Formed groups accepted. Jury: Francois-Xavier Roth Jean-Francois Heisser Carole Roth-Dauphin A Concert scheduled as part of the festival program and master-class organized by the festival for the young people selected (plan to be there three days beforehand). The program of the concert proposed to the laureates is linked to the programming of the festival. Volques 34 rue de la Garrigue 30000 Nimes festival.lesvolques@gmail.com Charles Heisser Frauke Suys Valentin Seignez-Bacquet Laure Anne Simon Salomé Braccini Génération Volques: About

PROGRAMME FESTIVAL 2022 Dimanche 11 Décembre Cour d'appel du tribunal de Nîmes 1 boulevard de le Libération. 11h "2,3,4,5" Betsy Jolas. O Wall quintette à vents. (1976) Quintette à vents des solistes des Siècles. Marion Ralincourt, flute, Christian Laborie, clarinette, Hélène Mourot, hautbois, Michael Rolland, basson, Pierre Rougerie, cor. Robert Schumann. Andante et Allegro op 70 pour cor et piano. (1849) Rémi Gormand, cor, Jean-François Heisser, piano. Betsy Jolas. Trio « Les Heures » (1990) Aude Périn-Dureau, violon, Carole Roth-Dauphin, alto, Robin Michael, violoncelle. Robert Schumann. Quatuor avec piano op 47 (1842). Aude Périn-Dureau, violon, Carole Roth-Dauphin, alto, Robin Michael, violoncelle, Jean-François Heisser, piano. Cour d'appel de Nîmes 16h30 "Génération Volques" en partenariat avec Pro Quartet Betsy Jolas. Afterthoughts, Quatuor VII (2018) pour trompette, violon, alto, violoncelle. Fabien Norbert, trompette, Caroline Florenville, violon, Carole Roth-Dauphin, alto, Amaryllis Jarczyk, violoncelle. Robert Schumann. Arrangements d’extraits des Waldzennen et Kinderzennen pour quatuor à cordes Von Fremden; extrait des Kinderszenen op. 15. Bittendes Kind ; extrait des Kinderszenen op. 15. Traümrei; extrait des Kinderszenen op. 17 Trop d’ombre ; extraits des Waldzenen op. 82 Laëtitia Ringeval, Caroline Florenville, violons, Carole Roth-Dauphin, Alto, Arianne Lallemand, violoncelle. Betsy Jolas. Épisode IV pour saxophone solo ténor (1983) Michael Rolland, saxophone. Betsy Jolas. Topeng, quatuor XVIII (2019) Robert Schumann. Quatuor à cordes no 3 op 41 (1842) Quatuor Confluence Charlotte Saluste-Bridoux, violon, Lorraine Campet, violon, Pierre-Antoine Codron, alto, Tom Almerge-Zerillo, violoncelle. Dimanche 11 Décembre Théâtre de Nîmes: Place de la Calade 20h Concert de Clôture "The Mysterious stranger(s)" Robert Schumann. Sonate no 2 op. 121 (1851) pour violon et piano Pierre Fouchenneret, violon, Jean-François Heisser, piano. Betsy Jolas. Rambles thru 44 the Mysterious Stranger (2014) Mélodrame pour récitant, flûte, violon, violoncelle et harpe Raphaël Merlin, direction, Salomé Braccini, récitante, Marion Ralincourt, flûte, Charlotte Saluste-Bridoux, violon, Amaryllis Jarczyk, violoncelle,Christian Laborie, clarinettes, Odile Abrell, harpe. Robert Schumann. Quatre lieder pour deux voix et piano op.78 Spanisches Liederspiel, pour ténor (1849) op. 74 : n° 4. In der Nacht. Tara et Michael Spyres, soprano et baryténor, Mathieu Pordoy, piano. Les Volques Festival Festival de musiques classique - contemporaine Nîmes du 07 au 11 Décembre 2022 RESERVATIONS THEÂTRE DE NÎMES

Festival 2022 du 7 au 11 Décembre Nîmes Notre programme vous propose un portrait croisé de deux compositeurs Robert SCHUMANN et Betsy JOLAS lors de concerts, master class, rencontres présentés par Arnaud Merlin , producteur à France Musique ainsi que, Patrick Hahn , producteur à la WDR3 pour la musique contemporaine, et Martina Seeber, musicologue, journaliste auprès de la WDR et DeutschlandRadio, qui nous apporterons un éclairage sur les oeuvres présentées à chaque concert. PROGRAMME 2022 RESERVATIONS THEÂTRE DE NÎMES Contact: lesvolques@gmail.com RESERVATIONS MUSEE DE LA ROMANITE

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