Les amis des Volques Helmut Lachenmann Helmut Lachenmann étudie le piano avec Jürgen Uhde, la théorie et la composition avec Johann Nepomuk David. Il poursuit ses études auprès de Luigi Nono dont l’influence sera déterminante. Patrick Hahn Journaliste et musicologue. Responsable de la musique contemporaine à la WDR Isabelle Druet Isabelle Druet est une mezzo-soprano colorature qui passe avec un égal bonheur de l’opéra au récital et traverse les siècles de Monteverdi à Escaich avec une aisance déconcertante. Daniel Roth Titulaire du très prestigieux Grand-orgue de l’église Saint-Sulpice à Paris, Daniel Roth est considéré comme l’un des plus illustres maîtres français. Betsy Jolas Née le 5 août 1926 à Paris. Elève de Darius Milhaud et Olivier Messiaen au CNSMDP, elle y sera ensuite professeur. Sa musique parcourera les avant-gardes d'après-guerre en toute indépendance. Mathieu Pordoy Pianiste et chef de chant, Mathieu Pordoy est régulièrement invité dans les plus grands théâtres, au Wiener Staatsoper , à l’Opéra National de Paris et à l’Opéra de Zurich (Les Contes d’Hoffmann) . Carlos Natale Carlos Natale est né à Buenos Aires en Argentine et c’est là qu’il y a fait ses études musicales. Il a obtenu son diplôme de chanteur lyrique à l’Institut Supérieur d’Art du Théâtre Colón de Buenos Aires, ainsi qu’un Master à l’Académie Mozarteum de Salzbourg Ondrej Adamek Né à Prague, Ondřej Adámek obtient son diplôme de composition à l’Académie de musique de Prague et son Prix de composition en 2006 au Conservatoire national supérieur de musique de Paris, où il étudie également l’orchestration, l’électroacoustique, la direction et la musique indienne. Fasciné par les autres cultures, il assimile toutes les esthétiques qu’il croise. Théâtre de Nîmes Un partenaire essentiel et une institution centrale de la vie culturelle Nîmoise. encore plus d'amis https://www.lesvolquesfestival.fr/ festival@lesvolquesfestival.fr

Jeudi 4 Décembre 20h00 Cathédrale de Nîmes Place aux Herbes. Nîmes "Diotima" BILLETTERIE PROGRAMME « Diotima » Maurice Ravel : Ma Mère l’Oye, arrangement pour orgue Rebecca Saunders : Fletch, pour quatuor à cordes Maurice Ravel : Quatuor à cordes M35 Rebecca Saunders : Unbreathed, pour quatuor à cordes Adam Bernadac, orgue et le Quatuor Diotima MUSICIENS Quatuor Diotima Yun-Peng Zhao , violon Leo Marillier , violon Franck Chevalier , alto Alexis Descharmes , violoncelle et Adam Bernadac orgue

Volques Workshops Supported by the Department of Gard and the Drac Occitanie, and the City of Nimes, the Volques offer various actions in the districts of the city. Gambetta Richelieu Mas de Mingue Lower Way of Avignon The workshops offer the discovery of classical music of yesterday and today through a one-hour concert during which the public is asked to learn body percussion, dances, songs or even instrumental percussion. During the show, the artists address the public, arouse the curiosity of the listener through question and answer games, and above all, unfold a story. This active listening of the listeners is a strong way of experiencing the music through one's body. These workshops are offered in connection with the festival program. Initiated in 2020 at the Pont de Justice school and at the " boarding house” of Abbé Pierre, thanks to the Théâtre de Nimes, these educational activities are perpetuated to offer the basics of musical practice and make children and families want to go to concerts and practice music. body percussion listening games O Passo method Singing and speech development Use of small percussion Work and reflection on the creative process. Music is not only a means of expression taking place in the present moment, and an art accessible from an early age. Recent neurological studies now demonstrate very clearly the impact of learning music on cognitive acquisitions in general, the capacity for empathy, affective and nervous development, and this from the life of the fetus.

festival de musiques classique et contemporaine. avec la présence durant tout le festival du compositeur invité. création pédagogique avec le conservatoire. ARTISTS Edition 2020 PHILIPPE MANOURY Philippe Manoury began music at the age of nine. Very quickly, he composes as an autodidact. He studied piano with Pierre Sancan, harmony and counterpoint at the Normal School of Music in Paris. At the start of the 1970s, he decided to take up the path of composition on the advice of Gérard Condé, who introduced him to Max Deutsch at the École Normale de Musique in Paris. He then studied composition also with Michel Philippot and Ivo Malec at the National Conservatory of Music and Dance in Paris, where he also followed Claude Ballif's analysis class. In 1975, he began studying computer-aided musical composition with Pierre Barbaud. The works of Karlheinz Stockhausen, Pierre Boulez and Iannis Xenakis form the first references of Philippe Manoury. For him, the act of composition consists in implementing capacities for the transformation of both musical material and perception. Some works can be organized into a vast cycle in which each piece feeds, by metamorphosing it, on the material of the preceding ones, like the confrontation with the computer, the instrument alone at first (Jupiter, Prix de the best musical achievement of SACEM in 1988, Pluton), then the percussion ensemble (Neptune) and finally the soloists and the orchestra (La Partition du ciel et de l'enfer) in the vast cycle "Sonvs ex machina". Present in the main contemporary music festivals and concerts from the age of nineteen, it was with the creation of Cryptophonos, by the pianist Claude Helffer at the Metz Festival in 1974, that he really made himself known to the public. In 1978, he moved to Brazil and gave courses and lectures on contemporary music at various universities there. In 1981, back in France, he was invited to Ircam as a researcher. Since that time, he has continued to participate, as a composer or teacher, in the activities of the Institute. From the research undertaken at this time, will be born Zeitlauf, for mixed choir, instrumental ensemble, synthesizers and magnetic tape created in 1982. In close collaboration with Miller Puckette, he then worked more specifically in the field of instrument-machine interaction, with the main goal of developing systems allowing the simulation and real-time monitoring of instrumental behavior, and therefore the integration of interpretation phenomena into the musical composition itself and into electroacoustics. The cycle of interactive pieces "Sonvs ex machina", for different instruments and electronics, remains as one of the important milestones of this history, just like In echo, for soprano and electronics. From 1983 to 1987, Philippe Manoury was in charge of pedagogy within the Ensemble intercontemporain. He then taught composition and electronic music at the National Conservatory of Music and Dance in Lyon (1987-1997). From 1998 to 2000, he was responsible for the European Music Academy of the Aix-en-Provence festival. He also leads numerous composition seminars in France and abroad. From 1995 to 2001, he was composer in residence at the Orchester de Paris and, from 2001 to 2003, at the Scène Nationale in Orléans. Between 2004 and 2012, he taught composition at the University of California San Diego (UCSD). In 2013, he was appointed professor of composition at the Strasbourg Conservatory and was in residence at the Paris Chamber Orchestra. In 2017, he was a visiting professor at the Annual Chair of Artistic Creation at the Collège de France. His work covers all genres: solo pieces, mixed electronic music (in 2006, On-Iron for choir, video and electronics and Partita I for viola and electronics) chamber music, works for choir and for large orchestra. Among these, we can cite Sound and Fury which was created by Pierre Boulez with the orchestras of Chicago and Cleveland. Philippe Manoury also composed four operas: 60e Parallèle, created in 1998 at the Théâtre du Châtelet, K…, after The Trial of Kafka, premiered in 2001 at the Opéra-Bastille (SACD Grand Prize, Music Critics Prize in 2001 and Pierre I of Monaco Prize in 2002) The border in 2003, as part of his residency at the Scène Nationale in Orléans and Gutenberg's Night created at the Opéra du Rhin in Strasbourg as part of the 2011 Musica Festival. For this last opera, Philippe Manoury was named Composer of the Year at the Victoires de la Musique 2012. Among the last works of Philippe Manoury we can note Terra Ignota for piano and orchestra conducted from the piano (2007), Abgrund for large orchestra (2007), Gesänge-Gedanken, song cycle on texts by Nietzsche for contralto and small ensemble (2009), Plural instants for two instrumental groups (2008), Synapse for violin and orchestra (2010), the two string quartets from 2010, blood pressure with electronics and Stringendo, and Sextet Assumptions created by the Accroche Note ensemble at the 2011 Musica Festival. In June 2012 a concerto for piano, electronics and orchestra, Echo-daimónon, commissioned by the Orchester de Paris, was premiered during the 2012 Ircam ManiFeste and, in July 2012, Partita II for violin and electronics, during the Messiaen Festival in the Pays de la Meije. In 2017 he works so on Kein Licht, a lyrical and theatrical work in collaboration with the director Nicolas Stemann (created at the Rurhtriennale and at the Opéra Comique in 2017). Philippe Manoury currently continuing to compose the Köln Trilogy, the first part of which Ring was premiered by the Gürzenich Orchestra in Cologne in May 2016, as well as the development of L'Échelle, an electronic installation in real time based on the hours, days and months of the year for the Théâtre La Scala in Paris (September 2018). Philippe Manoury was appointed Officier des Arts et des Lettres in 2014 and has been a member of the Berlin Academy of Arts since 2015. © Philippe Stirnweiss MICHAEL SPYRES Tenor Michael Spyres was born in Mansfield, Missouri. In 2009, he made his debut at La Scala where he takes the role of Belfiore in The Trip to Reims by Rossini then New York in the role of Raoul in The Huguenots of Meyerbeer . He therefore established himself as one of the major interpreters of French Grand Opera. The same year, he made his debut in the title role of Candid of Bernstein at the Flanders Opera. He interprets Tybalt in Romeo and Juliet of Gounod to Salzburg Festival , the title role of The Damnation of Faust of Berlioz at the Flanders Opera in 2012, the title role of Tales of Hoffmann of Offenbach for his debut at License and Rodrigo in The Lady of the Lake for his debut at London ROH in 2013, as well as the title role of Benvenuto Cellini of Berlioz at the English National Opera in 2014. That year, he also made his debut as Alfred in The bat of John Strauss at Chicago. In 2015, he went to the Royal Festival Hall in London in Alim in The King of Lahore of Massenet. In 2016, he sang the title role of Mitridate to Champs-Élysées Theater Dijon and to The Mint and that of Time in The Triumph of Time and Disillusion at Aix en Provence. He returned to the TCE in 2017 for his first Don José in Carmen of Bizet in concert version, while he started at Munich in The Tales of Hoffmann, at the Paris Opera in The Mercy of Titus and at Zürich with the title role of Orlando Paladino. In 2018, he played Vasco de Gama in The African of Meyerbeer for his debut at Frankfurt, participates in the acclaimed rediscovery of The Bloody Nun by Gounod at the Opéra Comique, takes the role of Fernand in The Favorite at the Liceu and that of Florestan in Fidelio at TCE. Then, in 2019, He started at Vienna Theater in Lucinius in The Vestal Virgin of Spontini and at the Vienna Opera thanks to La Cenerentola. In 2020/2021, Michael Spyres will sing Arnold in William Tell in September in Dresden, where he will return in March as Duke of Mantua in Rigoletto. He will sing the title role of La Damnation de Faust in Florence in January, just before taking on the role of Ferrando in Cosi fan tutte in concert at the TCE. © Marco Borrelli / OnP JEAN-FRANCOIS HEISSER Chamber musician, Jean-François Heisser has obviously covered the entire repertoire with partners such as the Ysaye, Lindsay and Pražák Quartets. If his recording of Bartok's sonatas with Peter Csaba (Praga) remains essential today, he also strongly defended the repertoire for 4 hands and 2 pianos. He remains one of the most requested partners both by established artists and by the younger generation. Musical director, he has been developing since 2001 the project of the New Aquitaine Chamber Orchestra which he raised to the highest level of French chamber formations, as evidenced by the recordings made for the label Mirara : the primitive version of Sorcerer's Love de Falla and the Kammerkonzerte of Berg, unanimously hailed by the press, are now references. At the end of 2017, the complete Piano Concertos by Beethoven (Jean-François Heisser piano and direction) were published, the fruit of a long work and a long maturation with the musicians of the orchestra. Artistic director, his complicity with Editions Actes-Sud led him to ensure the programming of Arles Musical Evenings. From 2015, he is artistic advisor to the Orangery Festival of Sceaux. Finally, to perpetuate the work and the memory of his master Vlado Perlemuter, "historical" interpreter of the great French composers, Jean-Francois Heisser is President of the Maurice Ravel International Academy, a top training ground for young talent. He is also the artistic director of the Ravel Festival in New Aquitaine since August 2017. © Thomas Chapuzot DIOTIMA QUARTET The Diotima Quartet, which is today one of the most sought after throughout the world, was born in 1996 under the impetus of laureates of the National Conservatory of Music in Paris. His name illustrates a double musical identity: Diotima is both an allegory of German romanticism – Friederich Hölderlin thus names the love of his life in his novel Hyperion- and a standard of the music of our time, held up by Luigi Nono in Fragmente-Stille, an Diotima. The Diotima Quartet has worked closely with some of the greatest masters of the second half of the twentieth century, foremost among them Pierre Boulez (who revised for him the Book for Quartet) and Helmut Lachenmann. He commissioned or encouraged the creations of the most brilliant composers of our time, such as Toshio Hosokawa, Miroslav Srnka, Alberto Posadas, Mauro Lanza, Gérard Pesson, Rebecca Saunders or even Tristan Murail. Mirroring today's music, the Diotima Quartet sheds new light on the great romantic and modern works, in particular Beethoven, Schubert, the Viennese triad with Schoenberg, Berg and Webern, or even Janáček, Debussy, Ravel and Bartók. His rich discography, in which stand out his interpretations of Bartok's quartets as well as those of the Vienna School and the definitive version of the Book for Quartet by Pierre Boulez (at Megadisc) is regularly hailed by the most prestigious awards from the international press : Diapason d'Or (five times, including two Diapason d'Or of the year), Choc de l'année Classica, ffff Télérama, Editor Choice de Grammophone, Séléction de Strad, etc. © Francois Rousseau DIABELLI QUARTET At the origin of the Diabelli Quartet is a requirement for authenticity combined with a desire to broaden the concept of the concert. The four concert performers who recently founded it come from a wide variety of experiences and backgrounds – both in terms of their professional career (studies and artistic lives in Vienna, Utrecht, Krakow, New York, Sidney, etc.) and their choices. (Baroque Orchestra of the European Community, Ensemble Intercontemporain, Les Siècles, Vienna Chamber Orchestra, LSO, Le Concert d'Astrée, Paris Opera, Montpellier, etc.) – and share the same impetus for creation and performance of risk. After a debut at the Comédie de Montpellier, the Quatuor Diabelli is scheduled for the first edition of the Festival des Volques, at the Musée de la Romanité and at the Hôtel de Bernis in Nîmes. Thanks to the Montpellier CRR and the Théâtre de Nîmes, the Diabellis are already known in the region for their cultural activities (Ehpad, Maison de l'Abbé Pierre, etc.). They play on period instruments. MATHIEU PORDOY Matthew Pordoy is a French pianist and vocal coach. In demand internationally, he has been invited to the greatest theatres, notably the Wiener Staatsoper (for the complete version of Don Carlos), the Opéra National de Paris (for the Huguenots and the child and the Sortilèges) and the Zurich Opera (for The Tales of Hoffmann). Very interested in teaching, he was invited to mentor young singers by Joan Dornemann at the International Vocal Art Institute Tel-Aviv and Montreal, as well as at the academies of the Mariinsky Theater in Saint Petersburg, the Opera of Paris, and the Festival d'Aix. Last season, Mathieu made his double debut at Carnegie Hall in New York in Berlioz's Lélio under the direction of Sir John Eliot Gardiner, and in recital with Sabine Devieilhe, then noticed by the New York Times as "a superb partner, whose artistic talent has contributed to making this recital a privileged moment of chamber music”. He also gave a series of recitals with his accomplice the tenor Michael Spyres at the Operas of Bordeaux and Frankfurt, as well as at the Festival de Lanaudière in Quebec, and at La Coruña in Spain. Specialist of the French repertoire, the Opéra Comique, La Monnaie de Bruxelles, the Opéra de Monte-Carlo, the Théâtre des Champs-Elysées, the Chorégies d'Orange, the London Symphony Orchestra, the Opéra de Cologne, regularly seek him out. to take part in their productions. Mathieu Pordoy has worked under the direction of conductors such as: Sir John Eliot Gardiner, Daniele Gatti, François-Xavier Roth, Alain Altinoglu, Fabio Luisi, Evelino Pido, Gianandrea Noseda, Mikko Franck… LAËTITIA RINGEVAL Laetitia began the violin at the age of 5 at the CNR in Douai. It was with Maurice Moulin that she followed her course in Paris before joining the class of Gérard Jarry in 2000, then Ami Flammer and Frédéric Laroque. at the National Conservatory of Music in Paris. Meetings with renowned conductors such as MWChung, EPSalonen, G.Dudamel, E.Krivine or even P.Boulez confirmed his love for orchestral music. It is with the ensemble Les Pléiades that she brings together these musical loves. Coming from the Les Siècles orchestra (direction FX Roth) of which it has been a member since its creation, Les Pléiades is a sextet playing on historical instruments. Laetitia loves researching the colors of the past as much as transmitting and sharing with young people for the music of tomorrow; She is particularly active with the younger generations, working in particular with the Philharmonie de Paris on numerous educational projects. Very committed to the discovery and practice of music by as many people as possible and like Les Siècles, a citizen orchestra, it regularly intervenes in schools, hospitals, associations and other communities around fun and participatory educational programs. . She is also invited by many French orchestras as a soloist and co-soloist (Orchestre Philharmonique de Radio France, Orchester National d'Ile de France, Orchester Victor Hugo Franche Comté, Orchester de chambre Nouvelle Aquitaine). © Julien Durancer LEA HENNINO Recognized as one of the most promising violists of her generation, Léa is a partner of sought-after chamber music. She collaborates with artists such as Quatuor Modigliani, Eric Le Sage, Emmanuel Pahud, Paul Meyer, Nicolas Dautricourt, Adam Laloum, Francois Salque, David Kadoush, Edgar Moreau, Alina Pogotskina, Alena Baeva, Nicholas Angelich, Gauthier Capuçon, Yan Levionnois, Nelson Goerner, Marc Coppey, Anne Queffelec, Itamar Golan, Denis Pascal...on major international stages and festivals. In 2014, she notably took part in a European tour of the complete quintets of Mozart alongside Gérard Caussé, Clemens Hagen, Alina Ibragimova and Renaud Capuçon, who regularly invites him to the Easter Festival in Aix en Provence. In 2016, she made her debut with the Philharmonic Orchestra of Hradec Kralové in the Republic Czech in Martinü's Concerto Rhapsody and plays Mozart's Symphony Concertante with the violinist Gilles Colliard and the Toulouse Chamber Orchestra in 2018. In 2019, the Orchester de Picardie invites him to take the solo alto part of the symphonic poem of Don Quixote by Strauss, at the alongside cellist Sébastien Hurtaud and conducted by Arie Van Beck. This season, she is invited to play Wranitzky's double concerto with violist Jonathan Nazet of the Opéra National de Paris, the Senza Sordini orchestra and conductor Alain Gourdeau. Since 2016, Léa has also been an associate artist of i gardini, a collective of committed artists, brought together by the pianist David Violi and cellist Pauline Buet around a common sensibility. Space of freedom and exploration, i giardini is inspired by the variety of sounds and personalities of the ensemble to reveal a unique romantic universe combining musical rigor and openness to all forms of expression. Their latest recording Nuits in collaboration with singer Véronique Gens published in the spring of 2020. She is also a regular guest at the Paris Chamber Music Center, Salle Cortot. The troupe reinvents the concert in the form of a show where the musicians play from memory and enhance the repertoire with a staging directed by cellist Jérome Pernoo. Léa is a popular musician with the ensemble Les Dissonances, created by violinist David Grimal and pursuing a cycle of artistic research devoted to the great chamber repertoire and symphonic, freeing itself from the direction of a conductor. The musicians are driven by the common desire for a collegial collaboration based on listening and sharing. © Isivierti Photography CHRISTIAN LABORIE Christian Laborie began his musical studies in Le Havre, his hometown, and the continues at the CNSMD of Lyon in the class of Jacques Di Donato. Since 1997 he divides his time between the practice of improvised music and music music to which he devotes a particular affection, as well as to the music of chamber and orchestra. These multiple experiences and the curiosity that animates him then led him to approach the interpretation of the great symphonic repertoire on historical instruments, within in particular of the orchestra Les Siècles of which he is the solo clarinettist. Attentive to amateur practices and fervent support since the childhood of orchestras of harmony from which he comes, he teaches at the conservatory of Rive de Gier (Loire) since 2003. ARIANE LALLEMAND Saluted through the New york Times like "a superb artist", nominated to grammys Awards and winner from Price Chamber America with the Contrasts Quartet, Ariadne Lallemand is a cellist to multiple facets. In fifteen year past to United States, she its produced in so much than soloist and chamber musician at Carnegie Weill Lobby, Alice tully Lobby, Avery Fisher Lobby, so than in of numerous festivals of music contemporary and baroque internationally. Winner of the stock Exchange Lavoisier and from competition of cologne, Barcelona, Mendelssohn, Five towns, Mannes College and Epernay, Ariadne Lallemand at order, created and checked in many works contemporary, its produced abundantly with the choreographers mark Morris, Benjamin Millipede, etc. In France, she play to breast talents Lyric, from Concert of Astree, at the Opera of Paris, the Orchestra of Paris, all Intercontemporary, ECYO and the Centuries. At breast of the agency Quarter, she is in duo with the harpsichordist violaine naughty on cello baroque. Ariadne play regularly in duo with the pianist Alan Kenneth and the harpsichordist yvon Spotting.She is member founder from Quartet Diabelli since 2019, on period instruments. Graduated from CNSM of Paris, Mannes and Freiburg, she at studied with Timothy Eddie, Christopher Henkel, xavier breadwinner, Philip Muller and followed from Master classes with Natalia Gutman, Anner Bylsma, Paul Tortelier and Janos Starker. Professor of cello to CRR of mount pellier since 2015, and at summer in residence in of many universities Americans. © Karine Peron CAROLE ROTH DAUPHIN Holder of a doctorate in viola from the CNSM de Lyon and a teaching aptitude certificate in 1996, her life as a performer led her to play with the Paris Opera, the Orchester de Paris, the Philharmonic Orchestra, the Opera de Lyon and the Ensemble Intercontemporain. Very involved in the most diverse educational actions, she is currently national educational coordinator of the Demos project for the Philharmonie de Paris and professor of viola and collective practices at the CRR of Paris since 1996. A member of the Les Siècles orchestra conducted by FX Roth since 2004, she leads a career as an orchestral musician and chamber musician throughout the world. Within this orchestra, she founded with her colleagues the String sextet Les Pléiades, as well as the trio with narrator Journal Romantique, with which she regularly performs in festivals such as Berlioz Festival, Musicales de Normandie, Amuz d'Anvers, Musica Nigella, Aldeburgh in Great Britain, as well as on the national stages: Grand Théâtre de Nîmes, National Theater of Sénart, City of Music of Soissons, theater of Versailles, Lorient, Auditorium of the Musée d'Orsay, etc... With Les Pléiades, Carole Dauphin likes to develop educational programs for schools, hospitals and prisons in order to bring music to life for all audiences. Since 2019, she has been working in musical creation workshops at the Abbé Pierre family pension in Nîmes, in partnership with the Bernadette Lafont theater. She is a member of the Diabelli quartet on period instruments. In 2020, she founded with her husband François-Xavier Roth and the pianist Pascale Berthelot the Festival de Musique(s) Les Volques in Nimes. © Jean Radel PASCAL BERTHELOT Pascale Berthelot develops her piano and sound research based on her interpretation of major works of classical and contemporary music, her encounters with numerous composers, artists of different disciplines and his recording experience. His very open and adventurous repertoire draws over the years a sensibility tinged with baroque eclecticism. Graduated from the Conservatoire National Supérieur de Musique et de Danse de Lyon in piano classes, interpretation and analysis of the 20th-21st century repertoire and pedagogy as well as from the institute of training and research in art therapy Profac, Pascale Berthelot is a concert pianist, improviser, professor of artistic education and certified art therapist, member of the French Society of Psychopathology of Expression and Art Therapy (SFPEAT). She mainly studied music with Bernard Flavigny (disciple of Alfred Cortot and Serge Koussevitzky), Eric Heidsieck and Claude Helffer. With a grant from the Acanthes center and laureate of the Venice Cini Foundation – Archivio Luigi Nono, she has also benefited from the valuable advice of renowned musicians and teachers such as Dominique Merlet, Yvonne Loriod, Roger Muraro, Pierre-Laurent Aymard and composers such as Brian Ferneyhough, Toshio Hosokawa, Tristan Murail, Ivan Fedele, Klaus Huber, Philippe Manoury, Marco Stroppa, MA Dalbavie, Gilbert Amy, Betsy Jolas, Peter Ablinger, Gérard Pesson and Alvin Lucier. Invited to perform as a soloist or in chamber ensembles, she has, among other things, created works for solo piano or piano and ensemble by Ivan Fedele, Roger Reynolds, Tim Hodgkinson, Daniel D'Adamo, Chris Newmann, Michael Pinter, Klaus Huber, Jennifer Walshe, Michaël Maierhoff, Hauke Harder, Daniele Venturi, Loïc Guénin, Gérard Pesson. She has collaborated with the dance company of Benjamin Millepieds LA Dance project and Laurent Pichaud (X-Sud), with visual artists Marie Denis, Jean-luc Moulène, Isa Melsheimer and has performed in hybrid installations by the Berlin collective LOSE COMBO, mixing performance, concert, sound, light and video in singularly delimited time spaces. She has recorded for Sony, Mode Records and has been collaborating since 2008 with Gérard de Haro's La Buissonne label published in France and internationally by ECM, as a musician and artistic director of the Cuicatl collection dedicated to contemporary music, awarded by the Charles Cros Academy and hailed internationally by critics. ERIKO MINAMI Eriko Minami studied piano with Keiko Matsubara and Yukari Nabata at the Lycée Musical de Yuhigaoka. It was after graduating that she decided to complete her training in France. She studied with Germaine Devèze and joined the CRRs of Versailles (with Edda Erlendsdottir and Jean-François Gonzales) and Paris (with Brigitte Bouthinon-Dumas). At 22, she chose to give a new direction to her career by opting for percussion. She works percussion with Alain Bouchaux then Frédéric Macarez and Éric Sammut for the marimba at the CNR in Paris. Currently, she is a member of the orchestra Les Siècles and Ensemble Musica Nigella as that percussionist and pianist. She collaborates regularly with other formations such as the Orchestra of the Opéra National de Lyon, Les Musiciens du Louvre, Opéra de Rouen. She has also been a speaker at La Philharmonie de Paris since 2015 and a Demos project since 2018. She has been a pianist with the Trio Journal Romantique since 2016 and a guest at the Berlioz festival, Les Musicales of Normandy and The Festival Musica Nigella. CAROLINE FLORENVILLE Divided for a long time between her love for dance and that for the violin, it is in 1991 Caroline decides to devote herself entirely to music. She joined the Paris Conservatory in 1996 in the class of Suzanne Guessner where she obtains a gold medal for violin, as well as his state diploma as a teacher. That same year she decided to leave Paris to enrich her musical knowledge and went to the Guildhall School Of Music And Drama in London where she joined the class of Professor Yfrah Neaman in the cycle of improvement. Falling in love with this city and its cultural ferment, she finally stays three years during which she teaches chamber music at the Junior School of the Guildhall, performs in sonata and as a soloist before returning to France, in Paris at the end of 2002. She is today co-director of the Orchestra Centuries directed by François Xavier Roth, co-soloist of the Compagnie lyrique Exploded Opera and second violin of the ensemble The Pleiades. MARION RALINCOURT Marion Ralincourt is a versatile and curious flautist: eager for encounters and strong projects, her musical life is divided between her activities as an orchestral musician, chamber musician and soloist, with an equal appetite for all repertoires. A passionate orchestral musician, she is principal flute of the essential Les Siècles orchestra (dir. François-Xavier Roth), a unique formation in the world bringing together musicians capable of using the instruments specific to each era, thus putting several centuries into perspective. of musical creation. Within the Centuries, Marion participated in many recordings, including, recently, Daphnis and Chloé (Ravel) and the Prelude to the Afternoon of a Faun (Debussy), both critically acclaimed. Passionate about chamber music, in 2005 she created the Duo Harpéole with harpist Lucie Garnier (solo harp of the ONBA). In 2011, she joined the prestigious Aquilon Wind Quintet (1st prize ARD Munich 2006) in which she recorded several albums, including the last "Saisons": CD designed in the most ecological way possible which militates for a greener world and encourages in a playful way the listeners to take care of the bees. Within the orchestra Les Siècles, Marion initiated the Quintette à vent des Siècles, one of the few wind quintets to perform on period instruments. Marion has appeared as a soloist with the Berliner Philharmoniker (...Explosante fixe...dir. Pierre Boulez), Les Siècles, the Ensemble Intercontemporain, the Gulbenkian Foundation Orchestra, the Navarra Symphony Orchestra, the Orchester Lyric Avignon Provence and the symphony orchestras of Timisoara and Krakow. Marion has won numerous international competitions: 1st prize at the Krakow International Competition and special prize for the best interpretation of the Penderecki Concerto (2005), 3rd prize at the Carl Nielsen International Competition (2006), special mention at the Jean-Pierre Rampal Competition, winner of the Autumn Musical Festival of Young Interpreters. Alain Duault devoted his television program "All the music they love" to him on France3. She graduated from the CNSM in Paris in 2004 (First Prize unanimously first nominated), and then completed two Advanced Cycles (Soloist and Chamber Music) in the classes of Sophie Cherrier and David Walter. In his future projects is the release of a solo album around the works of JS Bach and S. Reich interpreted on double instrumentarium (modern and baroque). © Michel Nguyen AUDE PERIN-DUREAU Principal violin of the Orchester National de Montpellier since 2002, Aude Périn- Dureau has since performed as Konzertmeister with orchestras such as the Chamber Orchestra of Auvergne, the Opera of Rouen, the Royal Liverpool Philharmonic Orchestra, Western Australia Symphony Orchestra, the Adelaide Symphony Orchestra, the Malaysian Philharmonic Orchestra, the Hong Kong Philharmonic Orchestra, the Royal Scottish Symphony Orchestra and the BBC Ulster Symphony Orchestra, under conductors such as Emmanuel Krivine, Mickael Schonwandt and Lawrence Foster. In 1992, she obtained a First Prize in violin and chamber music at the National Superior Conservatory of Music in Paris, then in 1996 a postgraduate degree from the University of Utrecht, the Netherlands. She then studied at the Hochschule in Vienna until 2002. Aude Périn-Dureau is laureate of the International Music Competition of Chambre d'Illzach, the Musical Patronage of Société Générale, as well as the T. Wronsky International Competition in Warsaw. In 2004 she founded the George Sand String Quartet and performed in Chamber Music with musicians such as Auréle Nicolet, Tabor Takacs, Colin Carr. She was the guest of many festivals, Budapest, Portogruaro, Pressia Cove, Schleswig-Holstein Musik Festival, and gave numerous concerts, recitals or chamber music concerts in Europe, Australia, Kuwait, Russia, Israel and the United States. Since 2004 she teaches violin at the Conservatoire à Rayonnement Régional from Montpelier. As part of the Orchester National de Montpellier, she performs regularly as a chamber musician and soloist, in repertoires ranging from Bach to Mendelssohn, Berio, Dusapin and Segerstam. Since 2020 she founded the Diabelli string quartet on instruments of time. AMARYLLIS JARCZYK Amaryllis Jarczyk was born into a family of musicians and lives music above all as a moment of exchange and creator of links. It is in this spirit that she now plays the cello in several chamber music ensembles, including the Hexaméron Ensemble, with which she performs the repertoire of 19th century salon music. Since 2016, she is also part of the string sextet Les Pléiades which is particularly involved in numerous cultural activities with young people and recently recorded a CD for Nomad Music/Les Siècles. Finally, in 2017 she created the Trio Jarczyk-Orenstein which performed at the Festival de Saintes. In addition, Amaryllis is regularly invited to the orchestra Les Siècles, La Grande Écurie and the Chambre du Roy, and the Orchester des Champs-Élysées. She participates with them in many tours in Europe, Asia and North America. Originally from Montreal, she first trained at McGill University with Matt Haimovitz, then at the Conservatoire National Supérieur de Lyon with Yvan Chiffoleau. She then specialized in interpretation on period instruments at the Schola Cantorum in Basel with Christophe Coin and at the Abbaye aux Dames de Saintes with Hilary Metzger. Amaryllis was nominated for a Grammy Award in 2011 with the Uccello ensemble and her teacher and colleague Matt Haimovitz, and has since recorded numerous records with Les Siècles and several other French ensembles and orchestras. © Elam Rotem GILBERT NOUNO Composer, sound artist, performer and researcher at IRCAM. Gilbert Nouno lives and works in Paris. In 2011 he was awarded the Villa Médicis, Académie de France in Rome and the Villa Kujoyama in Kyoto in 2007. His music, linked to the visual arts and digital technologies, constantly crosses the borders of writing and improvisation. . As a visual artist under the name Til Berg, he combines the synesthesia of sound art and other media. From music and sounds he generates abstract and minimalist visuals with traditional and digital mediums such as lithography and video. His work has been shown in Paris at the Ircam creative institute, in Rome and in Florence at the Fabbrica Europa 2012 foundation for contemporary arts. Gilbert Nouno is professor of composition in London at the Royal College of Music, and guest professor by the DAAD in Detmold (Germany). He teaches digital sound arts at Goldsmiths University in London where he is also a visiting researcher, the live electronics & computer music design at Ircam and electronic composition at the international summer courses in Darmstadt in 2014. Gilbert Nouno has collaborated with many artists of various styles and backgrounds such as Pierre Boulez and the Berlin Philharmonic Orchestra, Michael Barenboim at the BBC Proms/Royal Albert Hall in London, George Benjamin and the London Sinfonietta, Jonathan Harvey and the Quatuor Arditti, jazz saxophonist Steve Coleman, flutist Malik Mezzadri and choreographer Susan Buirge GREGOIRE PONT Grégoire Pont is an illustrator / animator passionate about classical music, especially from the 20th century such as Debussy, Ravel and Stravinsky. He is committed to making their music accessible to children through animated illustration. He has thus created a new show concept called Cinesthetique where he draws and animates live images on stage, an exceptional experience where music and video interact measure close. Sold-out concerts around the world. Ma mère l'oye (Ravel) at the Royal Festival Hall in London and at the Philharmonie de Paris, Gurrelieder (Schönberg) in Göteborg, La Mer (Debussy) at Suntory Hall in Tokyo, Concerto for orchestra (Bartók) with the SWR Symphony Orchestra, La Pastorale de Beethoven à Fayetteville aux United States, the toy box at the Rouen Opera and the Philharmonie de Paris with André Manukian... He has worked with world-renowned chefs such as François-Xavier Roth, Kent Nagano, Kazushi Ono, Marko Letonja... The Louisiana Museum of Modern Art (Denmark) commissioned four short films from him animation on contemporary music such as Disco Toccata and Petit Carnivore by Guillaume Connesson, the flute concerto by Marc-André Dalbavie. In 2016, he made his first foray into the field of opera with a staging with magic projections of L'Enfant et les sortilèges (Ravel) at the Opéra de Lyon resumed in 2019 in San Francisco, Limoges, Cincinatti, Muscat, Lyon... He created L'heure anglaise in 2018 with the same technique and the same success, Carmen with the Lille orchestra, conducted by Alexandre Bloch and "La moon" from the Brothers Grimm music by Carl Orff in March 2020. Next projects: Enigma variations in Hong-Kong, A Midsummer Night's Dream at the Rouen, Hansel and Gretel at the Cologne Opera and Abrahamsen's The Snow Queen at the Opéra du Rhine. © Jerome Tripier Mondancin ANNE-MARIE REGNAULT Anne-Marie Regnault graduated from the National Conservatory of Music in Lyon in the class of Pavel Vernikov. She also studied with Jean-Walter Audoli, Jacques Ghestem and Hortense Cartier-Bresson, and followed the teaching of Maya Glezarova during numerous masterclasses in France and Italy. At the same time, she followed university studies until she obtained a master's degree in philosophy. She has been a violin teacher at the regional conservatory of Montpellier since 2003. Passionate about chamber music, she plays regularly in various formations, and in particular the George Sand quartet, with Aude Périn-Dureau, Aurélie Souvignet and Yves Potrel since 2004. In 2018 she founded with Aude Périn-Dureau, Carole Dauphin and Ariane Lallemand the Diabelli quartet on period instruments THE PLEIADES Les Pléiades, an ensemble founded in 2011 by six musicians from the Les Siècles orchestra, offer a journey through the repertoire of the string sextet, through the ages on historical instruments. Committed to projects as varied as their theaters of performances, creator of new concert concepts with artists such as François Dumont, Isabelle Druet, Sandrine Piau, Les Cris de Paris, Dominique Brun's dance company 48, digital illustrator Grégoire Pont, musician-actor Emmanuel Bénèche , director Benjamin Lazar. The ensemble is invited to perform at the Théâtre de Nimes, Scène Nationale de Beauvais, at the Sénart theatre, City of Music in Soissons, at the Musée d'Orsay, festival of Méjan in Arles, as well as abroad (Shanghai, Guanajuato, Antwerp). Les Pléiades have also developed an activity emblematic of the spirit that drives them by offering various educational programs in schools and various social centres. This educational activity is their image: a moment of intensity and exchange with the public. The proposed workshop is a pool of gestures related to the body which, with the help of an active and playful presentation, brings the public into the sound universe with no other tool than the senses. Artistes: Prestations

Festival 2022 du 7 au 11 Décembre Nîmes Notre programme vous propose un portrait croisé de deux compositeurs Robert SCHUMANN et Betsy JOLAS lors de concerts, master class, rencontres présentés par Arnaud Merlin , producteur à France Musique ainsi que, Patrick Hahn , producteur à la WDR3 pour la musique contemporaine, et Martina Seeber, musicologue, journaliste auprès de la WDR et DeutschlandRadio, qui nous apporterons un éclairage sur les oeuvres présentées à chaque concert. PROGRAMME 2022 RESERVATIONS THEÂTRE DE NÎMES Contact: lesvolques@gmail.com RESERVATIONS MUSEE DE LA ROMANITE

Vendredi 8 Décembre Théâtre Christian Liger 16h00 Carré d’Art 20h30 Billetterie Les Volques Théâtre Christian Liger 16h00 " Opéra " George Benjamin: Flight pour seule 7’ Gionata Sgambaro, flûte Wolfgang Amadeus Mozart: Lieder pour soprano Das Veilchen 2’45- Als Luise Die Briefe 3’- Abendempfindung an Laura 3’- Die kleine Spinnerin 2’- Das Lied der Trennung 2’30- Der Zauberer 2’ Julia Knecht-Marcelli, soprano, Hugues Chabert, piano Wolfgang Amadeus Mozart: Duo pour violon et alto KV 435 15’ Isabelle Faust, violon, Carole Roth, alto Sur instruments d’époque Wolfgang Amadeus Mozart: duos d’opéra Ah guarda sorella (Cosi Act 1) 5’, Prendero quel brunettino (Cosi Act 2) 3’ Julia Knecht-Marcelli, soprano, Sharon Carty, mezzo, Hugues Chabert, piano George Benjamin: Viola, Viola pour deux altos Laurent Camatte, Carole Roth 10’ Wolfgang Amadeus Mozart: Airs d’opéra Parto parto (Clemenza) 7’- Se l'augellin sen fugge (Finta giardiniera) 4’30- Voi che sapete ( Le Nozze du Figaro) 3’ Sharon Carty, mezzo, Hugues Chabert, piano Wolfgang Amadeus Mozart : Duos d’opéra Che soave/Letter duet (Figaro) 4’ Ah perdona il primo affetto (Clemenza) 4’ Julia Knecht-Marcelli, soprano, Sharon Carty, mezzo, Hugues Chabert, piano ............................................................... Carré d’Art 20h30 Récital Pierre-Laurent Aimard George Benjamin: Shadowlines 15’ Wolfgang Amadeus Mozart: Andante für eine Walz in eine kleine Orgel K.616. 7’ George Benjamin: Piano Figures 14’ Wolfgang Amadeus Mozart: Fantaisie II en do mineur K.475. 12’ George Benjamin: Fantasy on iambic rythm 12’ Wolfgang Amadeus Mozart: Adagio K 540 en si m 10’

LES VOLQUES FESTIVAL DE MUSIQUE (S) NÎMES Direction artistique : Carole Roth-Dauphin Un double portrait de compositeurs dans les lieux emblématiques de la ville. Un festival dédié à la musique de chambre, qui met en miroir deux compositeurs, l’un du passé, l’autre d’aujourd’hui . à l’instar de notre belle cité, et met à l’honneur le patrimoine en s’inscrivant dans des lieux emblématiques de la ville. Le Théâtre de Nîmes, le Carré d’Art, le Théatre Christian Liger , le Musée de la Romanité, le lycée Alphonse Daudet, la Cathédrale de Nîmes, accueillent le festival pour une série de 8 concerts en 5 jours, dont 3 destinés au jeune public. Le compositeur contemporain est invité à Nîmes durant toute la durée du festival et vient à la rencontre des publics; les jeunes élèves du Conservatoire de Nîmes, les élèves des écoles élémentaires, et présente son parcours lors de rencontres avant les concerts. Tous les concerts sont présentés par Arnaud Merlin ( producteur à France Musique ) et Thomas Lacôte, professeur d'analyse au CNSMDP) afin de donner des clés d’écoute au spectateur. Les Volques proposent une aventure inédite en vivant une immersion dans les univers de deux géants de la musique LE FESTIVAL DOUBLE PORTRAIT DE COMPOSITEURS Festival de musique de chambre qui propose pour chaque concert un double-portrait de compositeurs, l’un du passé, l’un du présent. C’est le compositeur invité qui choisit le compositeur du passé dont l’œuvre entrera en résonance avec la sienne tout au long du festival . Ce concept inédit dans l’histoire des festivals nous plonge dans l’univers de deux géants de la création musicale qui dialoguent au fil des nombreux concerts . DES ARTISTES DE RENOMMEE INTERNATIONALE ET DE JEUNES ARTISTES PROMETTEURS DES CONCERTS INSCRITS DANS LES LIEUX EMBLEMATIQUES DE NÎMES, en miroir de l'architecture de la ville, modernité et patrimoine historique. Le Théâtre De Nîmes Le Théâtre Christian Liger Le Musée de la Romanité Le Carré d’Art Le Lycée Alphonse Daudet La Cathédrale de Nîmes UN COMPOSITEUR DANS LA CITE Véritable résidence de compositeur dans la cité nîmoise, le Festival les Volques propose au public, étudiants, mélomanes, de dialoguer avec le compositeur contemporain et sa musique, à travers les concerts, mais aussi grâce à des temps dédiés aux échanges avec le compositeur et les interprètes lors des conférences, master-class et présentations de chaque concert par des musicologues de renom ( Arnaud Merlin, producteur à France Musique et Thomas Lacôte professeur d'analyse au CNSMDP) UN FESTIVAL CITOYEN Le travail en lien avec le territoire est une partie essentielle et originale du projet. En continuité de la loi du 11 février 2005 sur l’égalité des droits et des chances et la participation citoyenne de la personne handicapée, Les Volques ont la volonté de développer des actions pédagogiques en direction des populations du Gard, et en direction des publics éloignés, des quartiers dits « politique de la ville » pour cela Les Volques adhèrent au contrat d'engagement républicain des associations bénéficiant de subventions publiques THE VOLCAS THIS FIRST PEOPLE SETTLED IN NÎMES, WELL BEFORE THE ROMANS. THEY WERE ABLE TO WELCOME THE FOREIGNER, APPROPRIATE THEIR KNOWLEDGE AND THEIR STRENGTH, UNTIL DECIDING TO TAKE AS THE EMBLEM OF THEIR CITY, THE TIME-STAMPED COIN OF MARC-ANTOINE ON THE OCCASION OF VICTORY OVER CLEOPATRA AND EGYPT. OPENNESS AND MODERNITY ARE THE KEYWORDS OF THE VOLQUES. À propos: À propos de nous

Dimanche 7 Décembre 20h00 Palais des Congres H2, Nîmes "Stirrings" BILLETTERIE PROGRAMME « Stirrings » Avec les lectures des extraits des « Histoires Naturelles » de Jules Renard par Mathieu Amalric Rebecca Saunders : Stirrings Still, pour flute alto, hautbois, clarinette en la, crotales, piano Maurice Ravel : Histoires Naturelles M50 pour voix et petit ensemble Rebecca Saunders : Dust, pour percussions Rebecca Saunders : Breath, pour deux violons Maurice Ravel : Quatre Chants populaires A17 pour voix et ensemble Maurice Ravel : Deux mélodies hébraïques A22 pour voix et ensemble MUSICIENS Raphael Merlin, direction Isabelle Druet, mezzo-soprano Aude Perin-Dureau, Perceval Gilles, violons Laure-Anne Simon, alto Ariane Lallemand, violoncelle Marion Ralincourt, Juliette Félix, flûtes Benjamin Christ, Alberto Niobey, clarinettes Hélène Mourot, hautbois Caroline Peach, contrebasse Anatole Comps, piano Morgan Laplace-Mermoud, percussions Mathieu Amalric, récitant

Rencontres du public avec le compositeur invité. CONFERENCES FRIDAY, OCTOBER 9 - 3 p.m. Nîmes Theater Bar Cross Portrait 1 Meeting around the work of LV Beethoven With: Philippe Manoury, Jean-François Heisser and Christophe Paradas (psychiatrist and psychoanalyst) FRIDAY OCTOBER 9 - 4:30 PM Nîmes Theater Bar Cross Portrait 2 Meeting around the work of Philippe Manoury In the presence of the composer and with Gérard Berry (professor at the Collège de France) and Pierre Charvet (composer) CONCERT PRESENTATION October 8 - 11 Corinne Schneider, musicologist and producer of the show "Sunday Bach" on France Music Conférences: Actualités NEWS PIERRE CHARVET Composer but also pedagogue and media man, Pierre Charvet has a rich and varied career. After studying at the prestigious Manhattan School of Music in New York, he joined Ircam, a center for research and musical innovation in France. His musical language uses both the traditional instrumentarium and new sound technologies. Along with writing his work, he has also composed for film, theatre, television, multimedia and the visual arts. He is the author and presenter of programs for France 2, France 5, France Info and France Musique. After having been director of programs at France Musique, he currently holds the position of delegate for musical creation at Radio France. CHRISTOPHER PARADAS Christophe Paradas, author of the book "The Mysteries of Art" published by Odile Jacob (2012) is a psychiatrist, hospital practitioner, medical director of the Center François Rabelais, EPS Erasme (Antony), psychotherapist and psychoanalyst. An expert analyst in the ambivalences and twists and turns of our mental life, he lent his pen and his voice to many books, articles, publications and interviews about Art, Aesthetics, psychoanalysis. Disciple of Freud and traveler at heart in the footsteps of Elie Faure and André Malraux, it is in fervent admirer of Camus, Hemingway, Proust, Bizet, Ravel, Beethoven, Wagner as well as Bergman, Heiner Müller or the Japanese aesthetic that he opens up his great sensitivity and personality polymorphic to each of them. From his wanderings and adventures, he comes back to us as a scout on the mysteries of artistic, musical, literary, cinematographic or theatrical creation. GERARD BERRY Gérard Berry is the son of a police commissioner and a maths teacher. He has two engineer brothers, one of whom, Michel Berry, his eldest, preceded him in the training course. He is a former student of the École polytechnique, and General Engineer of Mines. After graduating from the École des mines de Paris (1973), he remained remunerated as a researcher in this school until 2000, while first pursuing a State thesis in mathematics (defended in 1979), then pursuing projects within the National Institute for Research in Computer Science and Automation (INRIA) or the School of Mines, first in Rocquencourt, then in Sophia Antipolis. From 1980, his main line of research was the development of the Esterel language, which makes it possible to express the temporal synchronization of tasks and to prove that they run smoothly. From 2001 to 2009, he was Scientific Director of Esterel Technologies. From 2009 to August 2012, he was research director, on secondment from the corps des mines, at INRIA, where he was a member of the Indes project team. and chairs the research evaluation committee. From 2008, Gérard Berry teaches at the Collège de France, and has had there, since September 2012, the chair " Algorithms, machines and languages”, while remaining an external collaborator of the INRIA Indes project (see above). Some of his 2007-2008 and 2009-2010 courses were given again in English at the University of Edinburgh in the course entitled " Seven Keys to the Digital Future » in collaboration with the Collège de France, INRIA and the Royal Society of Edinburgh. CORINNE SCHNEIDER Doctor in musicology, Corinne Schneider obtained the first prizes for History of Music and Aesthetics at the Conservatoire de Paris. Alongside her musicological research and writings on musical exchanges between France and Germany in the 19th century, she is interested in contemporary musical creation in France. She is a professor of History of Music in Conservatories, regularly invited to give lectures in Paris and in the region (Théâtre du Capitole de Toulouse, Folle Journée de Nantes, Arsenal de Metz, Grand Auditorium de Lyon, etc.) and works with orchestras and concert institutions as musicological advisor. Author of a biography of "Carl Maria von Weber" (Gisserot, 1998), of a study of the reception of Franz Schubert ("Reflets schubertiens", Fayard, 2007) and of an essay on "Travel Music" (Fayard, 2019), since 2008 she has produced several programs for France-Musique (Morning of Musicians, Postcards, Contemporary Portraits, Great Interviews, Crossroads of Creation, etc.) including "Sunday Bach" (since September 2017). Conférences: Actualités

Dimanche 10 Décembre Musée de La Romanité 11h00 Le Sémaphore 14h00 Théâtre Bernadette Lafont 17h00 Musée de la Romanité Le Sémaphore Théatre de Nîmes Billetterie gérée directement par les salles Rendez-vous directement sur leurs sites Dimanche 10 décembre Musée de La Romanité 11h00 « Divertimento » Divertimento en mib M pour trio à cordes KV 563. 50’ Aude Périn-Dureau, violon, Carole Roth, alto, Nadine Pierre, violoncelle Sur instruments d’époque ....................................................................... Cinéma Le Sémaphore 14 h00 « Written on skin » Petit café, présentation de l’opéra par Sir George Benjamin et projection de l’opéra de George Benjamin « Written On skin » .................................................................... Théâtre Bernadette Lafont 17h00 " Concert de clôture" « Les grands solistes de notre temps» Wolfgang Amadeus Mozart: Sonate pour violon et piano KV 304 en mi m 15’ Renaud Capuçon, violon, Jean-François Heisser, piano Wolfgang Amadeus Mozart : Quatuor no 2 K493 en mib M 25’ Isabelle Faust, violon, Carole Roth, alto, Nadine Pierre, violoncelle, Jean-François Heisser, piano Entracte au bar du théâtre Wolfgang Amadeus Mozart: Sonate pour violon et piano KV 481 en mib m 20’ Renaud Capuçon, violon, Cédric Tiberghien, piano George Benjamin: Meditation on Haydn's name piano seul 7’ George Benjamin: Relativity Rag pour piano seul 5’ Jean-François Heisser, piano Wolfgang Amadeus Mozart: Quintette à deux altos K 406 en do m 25’ Perceval Gilles, Aude Périn-Dureau, violons, Carole Roth, Laurent Camatte, altos, Ariane Lallemand, violoncelle Sur instruments d’époque

Les Musicologues qui seront avec nous Trois journalistes de talent, musicologues, qui nous accompagneront durant tout le Festival pour présenter au public les œuvres jouées en nous donnant des clés d'écoute, et nous livrerons énormément d'anecdotes passionnantes sur la vie et l'oeuvre des compositeurs. Patrick Hahn producteur à la WDR3 pour la musique contemporaine Arnaud Merlin France Musique Martina Seeber Producteur de musique contemporaine auprès de la SWR lesvolques@gmail.com Téléphone 06 15 05 20 20 Suivre

EDITION 2023 du 05 au 10 Décembre 2023 Nîmes Cette année, nous avons l'immense honneur d'accueillir Sir George Benjamin, dont la musique sera associée à celle de Wolfgang Amadeus Mo zart Thomas Lacôte nous présente une oeuvre de George Benjamin, Shadowlines